How to play basic swing jazz # 2

Now , Looking at this video # 2 . This video add the bass drum and snare to swing pattern let see !

Let's start with basic jazz pattern

Jazz drumming is kind of triplet
Let's start with very good lesson !!

How to be a jazz drummer

So you have decided that you want to be a drummer but is at a loss as to which genre of playing style you want to master. Have you considered learning how to be a jazz drummer?

As you probably know, jazz is one of the most artistic and intriguing genre of music and especially so for the jazz drummer. Playing jazz music gives the drummer the opportunity to exhibit his amazing technical drumming skills and capabilities. However, most drummers choose not to take the time to learn how to play jazz drums properly which is partly due to its wide range of technicalities unlike most other forms of music.

Although jazz drumming seem to look very complicated, in reality, it is not that difficult to learn. The main difference is that most drummers are used to the 4/4 tempo of drumming where jazz is played with plenty of triplets and has a different feel from most other types of music. So the drummer may have to relearn some drumming techniques. Furthermore, most jazz pieces are relatively fast in tempo and thus most drummers also need to make improvements on their stick speed.

The first thing a new drummer needs to learn when playing jazz pieces is the basic jazz swing tempo or sometimes called the "swing groove". A jazz drummer's main role is to keep time for the rest of the band just like in any genre of music. The drummer should never overpower the rest of the band unlike when playing rock songs. To do this, simply use your hi hat and ride cymbal.

Ok. Let's start with your hi-hat stepping on the 2 and 4 count to a piece of swing music. It is critical to keep this count over top of everything else that you play. Next, add ride the cymbal with a triplet tempo and feel. Practice these moves to perfection before going further with your drum lessons.

Now that you have mastered how to keep the swing tempo with the hi-hat and ride cymbal, let's move on to the bass drum or sometimes called the kick-drum. Jazz drumming techniques are sometimes very subtle and because of this, the bass drum should not be too dominant. So do make sure that you do not play the bass drum too loudly. This again is unlike most other form of drumming. A good technique for this is keep your heel down when playing the bass drum. In this way, you are more in position control the strength of the kick more easily. A technique jazz drummers often use is the feathering the bass drum. This is done by lightly tapping the bass drum on the quarter or eighth notes.

You will probably know that is highly common for the bass drum to follow the bass guitar player. So you may need to know what kind of rhythm progression the bass player is playing and try to follow him. The bass drum should be played with more of a feel rather than powerful thumping like those in rock music.

The snare drum can be used to help as an accent for the band or can be used to play straight quarter notes.

Another common rhythm in jazz music is the shuffle and every jazz drummer must also master this form of drumming. Furthermore, since jazz music usually have musicians doing solo runs, the jazz drummer must also learn how to play drum solos. By developing these common jazz drumming styles, you will be playing jazz drums like a pro pretty soon!

Article by Chris Chew
http://www.articlesbase.com/sports-and-fitness-articles/how-to-be-a-jazz-drummer-486734.html

Stewart, Bill the modern jazz drummer

Stewart, Bill b. 18 October 1966, Des Moines, Iowa, USA. Percussionist Bill Stewart made his name as the rhythmic force behind guitarist John Scofield 's band, working with him for five years between 1990 and 1995. Self-taught on drums, Stewart is also a capable pianist, the instrument on which he composes. He grew up listening to his parents' jazz and R&B record collection, but otherwise jazz was a rare commodity in Iowa in the 70s and he played in a Top 40 covers band in high school as well as the school orchestra.

After graduating he enrolled at the University Of Northern Iowa in Cedar Falls, playing in the jazz and marching bands as well as the orchestra. He then transferred to college in Wayne, New Jersey, where he studied with Dave Samuels, Rufus Reid and Harold Mabern. It was here that he met future collaborator, saxophonist Joe Lovano. While still in college he made his recording debut with saxophonist Scott Kreitzer and recorded two further collections with pianist Armen Donelian. After graduation in 1988 he moved to Brooklyn, New York, where he set up home. There he began the slow process of establishing his reputation by regular appearances at jam sessions and by word of mouth, leading to his first gigs with the Larry Goldings trio.

At one of their regular sessions at Augie's Club in Manhattan, Maceo Parker attended and invited him to contribute to a forthcoming recording date (for Roots Revisited ). Afterwards he was invited to join Scofield's band, which also included Lovano, who has featured on both of Stewart's solo albums to date. The first, Think Before You Think, was issued on the Japanese label Jazz City and featured Dave Holland on bass and Marc Copland on piano in addition to Lovano. The second, Snide Remarks, featured pianist Bill Carrothers, trumpeter Eddie Henderson and bassist Larry Grenadier. This boasted nine original Stewart compositions, highlighting a sophisticated compositional technique that Lovano once analogized as being that of 'a melody player within the concept of rhythm'.

The Legend of Buddy Rich...

Arguably the greatest jazz drummer of all time, the legendary Buddy Rich exhibited his love for music through the dedication of his life to the art. His was a career that spanned seven decades, beginning when Rich was 18 months old and continuing until his death in 1987. Immensely gifted, Rich could play with remarkable speed and dexterity despite the fact that he never received a formal lesson and refused to practice outside of his performances.

Born Bernard Rich to vaudevillians Robert and Bess Rich on September 30, 1917, the famed drummer was introduced to audiences at a very young age. By 1921, he was a seasoned solo performer with his vaudeville act, "Traps the Drum Wonder." With his natural sense of rhythm, Rich performed regularly on Broadway at the age of four. At the peak of Rich's early career, he was the second-highest paid child entertainer in the world.

Rich's jazz career began in 1937 when he began playing with Joe Marsala at New York's Hickory House. By 1939, he had joined Tommy Dorsey's band, and he later went on to play with such jazz greats as Dizzy Gillespie, Charlie Ventura, Louis Armstrong and Gene Krupa. Rich was regularly featured in Jazz at the Philharmonic during the late 40s. He also appeared in such Hollywood films as Symphony of Swing (1939), Ship Ahoy (1942) and How's About It (1943).

Throughout the 1960s and 70s, Rich toured with his own bands and opened two nightclubs, Buddy's Place and Buddy's Place II. Both clubs were regularly filled to capacity by fans of the great master drummer. After opening Buddy's Place II, Rich introduced new tunes with elements of rock into his repertoire, demonstrating his ability to adapt to his audience's changing tastes and establishing himself as a great rock drummer.

Known for his caustic humor, Rich was a favorite on several television talk shows including the Tonight Show with Johnny Carson, the Mike Douglas Show, the Dick Cavett Show and the Merv Griffin Show. During these appearances, Rich entertained audiences through his constant sparring with the hosts and his slights of various pop singers.

This famed musician received outstanding recognition throughout his career. The Downbeat Magazine Hall of Fame Award, the Modern Drummer Magazine Hall of Fame Award and the Jazz Unlimited Immortals of Jazz Award are just a few of his numerous honors. Rich gained international attention for such master compositions as his 10-minute West Side Story medley. During his lengthy career, Rich toured around the globe, performing for millions of fans and several world leaders including the king of Thailand, the queen of England, Franklin Roosevelt, John F. Kennedy, Ronald Regan and King Hussein of Jordan.

On April 2, 1987, Rich died of heart failure following surgery for a malignant brain tumor. Long-time friend, Frank Sinatra, presented the eulogy at Rich's funeral. Today, Buddy Rich is remembered as one of history's greatest musicians. According to jazz legend Gene Krupa, Rich was "The greatest drummer ever to have drawn breath."

From www.drummerWorld.com

100 Greatest Jazz Drummers

Jazz has had the broadest perspective of all genre's in music since it's first note to the present day. It is for that reason that this list is presented in the same manner, with respect to all the myriad forms & interpretations of Jazz that exist today.

Criteria: - These musicians were chosen for their originality, versatility, impact & influence within the genre. For their innovations & the technical ability for improvisation & musical expression in addition to their compositional skill & creative inspiration.

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Blues

Another important influence to jazz was the blues, an expression of the hardships experienced daily by slaves, in direct contrast to the work song, a celebration of work. Its musical inspiration came from where its players did, Africa. The rhythmic form of blues was a basis for many developments that would appear in jazz. Though its instrumentation was mostly limited to melodic instruments and a singer, feeling and rhythm were tremendously important. The two primary feels were a pulse on alternating beats that we see in countless other forms of American music, and the shuffle, which is essentially the pattin' juba rhythm, a feel based on a division of three rather than two.